"My work for the past 50 years or so has been involved with a sort of “setting the stage” for a performance. At times the theatrics happened at breakfast, dinner or tea; at times the scenery has included flowers in vases in architectural settings. References to other works of art have also always been present as a constant in my practice. Such work is intended to be read with the inclusion of our knowledge of other works of art. These have ranged from Korean folk art painting to Matisse and Bonnard to Classic Greek and Roman vases. Recently, I have been looking at Roman Frescos and various other wall paintings where images of architecture are painted on the actual walls. These give the illusion, with their columns and windows, of architecture within architecture. I have also observed how often these frescos include images of vases…There are a series of cross-references in ceramic, wood, glaze and paint which return us to the “theatrical” domain of the wall pieces. We go to the theater to see plays and “play” is fundamental to the spirit of my recent work. Character, mise en scene, costume, plot and denouement are all important here. I am playing with play."

- Betty Woodman, 2010